Narrador: Curador Luis Perez-Oramas: Luis Perez-Orama: Essa pintura parece uma pintura abstrata. Entretanto, também podemos pensar nela como algo que parece um plano de piso arquitetônico. O que Lygia ...

Hemos pedido a la curadora Diana Cúellar Ledesma, investigadora del Instituto Cisneros, que nos hable de cuatro obras de la colección del MoMA —y de una película que se ha proyectado varias veces en ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Curator, Ann Temkin: Margaret Scolari Barr was an art historian involved with MoMA's founding, and the wife of Alfred H. Barr, Jr., MoMA's founding director. Art Historian, Margaret Scolari Barr: I ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

As part of its ongoing, in-depth study of MoMA’s Latin American collection, the Cisneros Institute holds an annual seminar to examine a selection of artworks, addressing distinct critical questions.

In April 2000, The Museum of Modern Art’s director, Glenn D. Lowry, joined other American museum directors to present testimony before the Presidential Advisory Commission on Holocaust Assets, ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

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One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...