Saint Louis University opened a new initiative that it touted as the first of its kind—in its words, “the first museum to ...

For centuries, scholars and art historians have speculated about the existence of a fifth panel in Hexham Abbey's medieval ...

Organized by the Cluster of Excellence “Religion and Politics” at the University of Münster, new lecture and reading series on aesthetic conceptions of the body from the Middle Ages to the present day ...

Scientists have documented and analyzed 30 inscriptions and nine images marked onto the walls of the Last Supper Room in ...

THE NATIONAL GALLERY’s take on the most exciting 50 years of Siena’s artistic production is a remarkable achievement: a pleasure for the eye and commendable for its ability to make medieval religious ...

Dr Brendan Rooney, Head Curator, National Gallery of Ireland explores the lives and work of Evie Hone and Mainie Jellett, the ...

In the article, Daniel Silliman described the work of a Bible scholar who has proposed the possibility, based on historical ...

The color yellow, associated with Judas in Christian art, symbolizes greed, betrayal, and intentional storytelling through ...

The Argentinian pontiff was a powerful progressive voice in world politics, the first Jesuit priest to be spiritual leader of ...

The Armenian Museum of America of Watertown (Boston) recently announced a new exhibition of 45 works by Armenian-American ...

To mark Easter weekend, Le Monde traces the history of this symbol-laden ritual.

Since then the small, carnivorous mammals have played a major part in religion, folklore, art, and community health across the world. However, in 13th-century Western Europe, cats became ...