Language of We” at ICA Miami is the largest museum exhibition of the Ugandan artist’s work in the United States to date.

Her work underscores the continuity of Indigenous culture and the power of artistic reclamation. Cara Romero, “Don’t Tell” (2021), archival pigment print ...

“I Walk With My Ancestors (1 of 2)” (2024), earth pigment and wildfire charcoal hand-painted on kapa (barkcloth), 29 x 61.5 inches “Night Eyes” (2024), earth pigments and wildfire charcoal ...

Inside the Sustainable Textile Futures exhibition at London’s Embassy of Japan, The exhibition – which is in collaboration with the Embassy of Japan and supported by the Japanese Ministry of Foreign ...

The film follows a 12-year-old girl named Agnesi Aafi from the Kingdom of Tonga, as she prepares for her cousin Fanny's wedding. Set against the backdrop of Tonga's rich culture, Agnesi shares her ...

While previously he had inspired conversations around the theme of material culture in contemporary art through painting on barkcloth and manipulating it in order to be palatable to wider audiences, ...

IGC is grateful for the opportunity from the Karun Thakar Fund to deepen our research and education on Lubugo (barkcloth), an indigenous Ugandan textile with profound cultural significance. Despite ...

Barkcloth: a neglected material Today, clothing is made of woven fabrics worldwide. It is easy to forget that until 150 years ago barkcloth was the textile of choice in most of the tropics. Made of ...

Plus this weekend brings classical ballet, street art, traditional barkcloth, and an exploration of "cancel culture." A list of arts, theater and musical events happening in Denver and around ...